See the World

Street photography is a quest to freeze spontaneous moments that combine narrative with form and composition. To me, the camera is like a butterfly net, a tool to capture fleeting, beautiful—and sometimes unsettling happenings that billow around us.

An obsession with street life blossomed during my formative years as a New Yorker. On weekends, when the city exhaled and the pace relaxed, I wandered the streets with the objectivity of an intergalactic alien. My journeys through the swirling dreamscape met with naïve fascination, liberated from preconceptions that allowed me to see and question everything anew. In that zeroed-out state of mind, stimuli enter the brain unfiltered. Disembodied voices mingled through the air, dissolving like vapor. Sights and smells were acutely focused. Animated gestures, the sun’s rays on a face, the laughter of a child, the grandeur of architecture—all of it assumed special meaning often unnoticed during the typical weekday hustle. As quickly as a scene formed into view, another eclipsed it in an endless stream of consciousness.

The urban photographer on the hunt is confronted with split-second decisions on whether to engage a subject or remain stealthy. Subliminal biases and well-honed instincts influence the calculus of risk versus regret. Considerations of propriety over aesthetics fire the synapses. Life on the street moves ceaselessly like flowing water spiked with adrenaline. Experience sharpens the ability to anticipate the moment and to act on it.

Later, when reviewing the day’s catch, distance can be beneficial to separate emotional attachment from recent experience. (In publishing, it is the role of the photo editor to assert dispassionate judgment to the editing process.) Moreover, revisiting captures after some time can reveal gems previously overlooked. Similarly, with foresight, seemingly mundane street scenes can later crystallize into valuable time capsules. You need look no further than images from the 1970s, 80s, and 90s for evidence that the recent past has acquired renewed interest and importance as historical documentation.

The pursuit of the “decisive moment,” as described by the demigod of street photography, Henri Cartier-Bresson, is more challenging today than ever. Suspicion of cameras hangs in the air. People fixate on their electronic opioids rather than engage with one another. Faces are willingly concealed with masks, even outdoors, absent any apparent danger.

Finally, it is worth stating that the scattershot nature of the following visuals is a reflection of the beautiful chaos that is human experience. Street life, by definition, is inconsistent and tousled, with infinite flavor and emotion amidst the unpredictable. This collection of images dating from roughly 2006 to 2020 makes no attempt at a unifying aesthetic or point of departure. It simply demonstrates the serendipity of people (and creatures) of all types and persuasions commingling — or just existing, in splendid isolation. In full view. —J Heroun

STREET LIFE: This gallery explores the universality of connection — and the longing for it. Every frame tells a story, a moment frozen in time that reveals a personal truth and state of mind.